|Featured Artist - Tom Weston (Award Winning Writer)|
Originally from England, Writer and Film-Maker, Tom now resides in Boston, Massachusetts.
Before turning his hand to fiction, Tom had a successful career as the CEO of a consulting company, conference speaker and writer of industry articles and business books. But determining that the business world lacked a sense of humor, Tom decided to hand in his jacket and tie and instead turned to the world of literature.
His novel, First Night, set in Boston during the New Year¡¦s Eve festival, introduced the unlikely heroines, Alex and Jackie, and the ghost of a 17th century Puritan named Sarah Pemberton. First Night won an Honorable Mention in the Middle-Grade/Young Adult category, in the Writers Digest 17th Annual International Self-Published Book Awards.
The sequel to First Night, called the Elf of Luxembourg, was published in January, 2010. As with First Night, The Elf of Luxembourg is also a supernatural mystery, with a blend of humor and history that has become Tom¡¦s trademark.
Following the publication of the Elf of Luxembourg, Tom turned to the medium of film to produce and direct the animated short, There be Monsters!, based on his short story of the same name.
Tom has also written the novel, Fission, based on his screenplay of the true story of scientist, Lisa Meitner, and the race for the atomic bomb. Fission the screenplay was named a finalist at the London Independent Film Festival. Prior to its publication in August, 2011, the novel was serialized for Tom¡¦s Facebook fans.
Tom is now working on Book 3 of the Alex and Jackie Adventures, called Feathered: being a fairy tale, and he is researching the background material for the story, which will be set in Ireland.
Visualize a Writer's Story Ideas in his Novel using iClone
Interview with writer and film-maker, Tom Weston.
Award winning writer, Tom Weston, moves into the director's chair for the animated adaptation of his short story, There be Monsters! Tom's previous work includes the screenplay, fission, which was selected as a finalist at the 2008 London Independent Film Festival, and which is scheduled to be published as a novel in early 2011. Tom's other works include the Urban Fantasy novels, First Night and The Elf of Luxembourg, collectively known as The Alex and Jackie Adventures. Currently, Tom is writing the third book in the series, titled, Feathered: being a fairy tale. For more information, visit Tom at his web site, http://www.tom-weston.com.
When did you first get involved with iClone?
We go way back ¡V to version 1.5, I think. In fact, it's almost like I've come full circle now, because the reason I got iClone in the first place was because I had a script for a ghost story, which I thought would make for a nice little animated film and we took a look at everything which was on the market back then to see if a film could be made without a budget or army of animators -iClone was the only one that came close for a neophyte such as me.We didn't make the film, but I did use iClone to make a short test animation of the film's ending. And it was seeing the beauty of that animation that made me realize the story I was trying to tell was much bigger than I had first imagined. So I shelved my plans for a rewrite of the story. That story became my first novel, First Night. But I think it was seeing that test animation fromiClone which inspired me to write a better story.
When did you first get involved with iClone?
And with There be Monsters! you found iClone to be the appropriate platform for the story?
The story came first, but as soon as I had written it, I knew that it would be the first animation to come out of the company and I knew that iClone was still the only software we could seriously consider.
Why is that?
We do keep tabs on the software out there - we have several in house, so we know the pros and cons of most of them, but iClone remains the only one which allows me to work as a director on a film set would work; to think in terms of characters and costumes, sets and camera angles. With the competition, it's as if I need a PhD in physics just to create a still image, let alone an animation. And then there is the rendering time.
I don't know how iClone works its magic, but the real-time rendering is amazing. To be able to create a scene - and it may be a 30 second scene - but to do that in real time, to run the animation, make a change in lighting, run it again, make a change to the camera, move a character, add a prop, change a costume, whatever ¡V to do all that in real time and then be able to say ¡¥OK that's a wrap, print it' ¡V and to do all that in a fraction of the time it takes the competition to render a single frame ¡V I'm impressed.
I've seen work produced by various software packages. Some of it is amazing ¡V well beyond my capabilities ¡V but I think that credit for that must also go to the artists. I've seen equally stunning work produced from iClone. Great art is dependent on the artist, not the tools. I think a lot of people, when they use software, whether it's iClone or not, underestimate the artistry and assume that it is simple to duplicate. And they get frustrated when they don't.
When it came to There be Monsters! we chose to go in a different direction. We were never going to emulate the animation or photorealism of a Pixar full length feature. We just don't have the artists, the budget or the time, even if we had the software. If I had wanted to create that type of animation I could never have even started the project.
Instead, we played to iClone's strengths. In iClone, we were able to create the characters and sets very quickly. We were also able to use iClone to create the Storyboards. And then we were able to turn the Storyboards directly into animations, with no wasted effort
There be Monsters! is a 9 minute animation. How long did it take to produce?
Our narrator, Tony Impieri, finished the voice-over of the story in April, 2010. I had done some preliminary work on the characters and sets before then, but no animation because I wanted his interpretation of the story to set the tone. We wrapped up the project in November, 2010 and started to submit to the Film Festivals in January. So in total, the project took about 7 months. We were juggling this project with a couple of others, so the actual real-time effort spent on the film is less than that.
I assembled the animation, but I would like to point out that in the time-frame allowed to us, nothing would have been possible without having off-the-shelf models and motions available to us from Reallusion and Reallusion's community of content providers such as Alley, Bigboss and Shygirl. Having those resources at hand were indispensible. And as I indicated, the content providers are the real artists in the world of There be Monsters! so I take my hat off to them. This is their animation as much as mine.
There be Monsters! will now be screened at several film festivals.
Yes, we got the ball rolling with an acceptance to the 2011 Worldkids International Film Festival in Mumbai, India. What's really exciting about that is that There be Monsters! will also be shown to children around India as part of the Worldkids Foundation's ¡¥Lessons in the Dark' program.
Closer to home, There be Monsters! will have its world premiere right here in my home town of Boston, on April 16th at the Loews Cineplex / AMC on Tremont Street, as part of the Boston International Film Festival, April 15th to 24th. So I am even more excited about that.
And then I'll be making a trip to the west coast and Santa Monica for the Edgemar Short Film Festival on April 28th to May 1st at the Edgemar Center for the Arts in Santa Monica, California.
If anyone reading this is going to be attending those festivals, and whichever others we are lucky enough to be selected for, I'd love to hook up and talk iClone.
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